At a former television production facility in Madrid that had been moth‑balled and later re‑commissioned, the technical team discovered that the legacy broadcast suites were suffering from creeping acoustic issues. The original speaker monitor rooms and control suites used standard perforated aluminium grilles for ventilation and speaker walls—but over decades these panels had degraded, corroded, and exhibited vibration under high SPL playback. The result was subtle noise contamination, lowered speech intelligibility and compromised broadcast output. The facility engaged our team to deploy a custom perforated metal grille panel solution, engineered to restore broadcast‑grade acoustic isolation while integrating seamlessly into the existing architecture.
During broadcast‑level playback tests (95 dB SPL), engineers found rattles and panel vibrations from the grilles covering ventilation plenums and speaker wall passages. The grilles exhibited ~29% open‑area and used aluminium 1.0 mm sheets; when subject to strong bass levels, the panels acted as resonant reflectors rather than neutral covers. Acoustic leakage between adjacent rooms exceeded the target of 35 dB isolation by 5 dB. This indicated that the grille panels had become weak links. Contemporary research shows that perforated metal panels can serve not only for airflow but also play a structural role in controlling sound transmission. (ScienceDirect – Perforated Panel Absorber/Isolation Study)
The new specification included:
Stainless steel 316L, thickness 1.6 mm — providing increased mass to shift panel resonance above typical broadcast bass ranges.
Perforation: 3.5 mm diameter holes at 10 mm pitch (approx. 21% open‑area) to strike balance between required airflow and sound insulation.
Backing assembly: 45 mm deep air‑cavity with 30 mm acoustic liner behind the perforated sheet, converting grille into part of the acoustic barrier.
Mounting system: Elastomer decouplers and neoprene gasket around frame to eliminate structure‑borne coupling and maintain air‑tightness in broadcast suites.
Studies on micro‑perforated and perforated panels substantiate that hole geometry, backing depth and panel mass significantly influence sound isolation and resonance. (Springer – Absorptivity of Perforated Panels)
In broadcast environments, three performance aspects were critical: – **Airflow integrity**: Maintain equipment cooling airflow > 1.2 m³/s with pressure drop < 60 Pa. – **Acoustic isolation**: Maintain inter‑room isolation > 40 dB under full system load, speaker playback and live broadcast conditions. – **Structural stability**: Panels rated for continuous vibration and high SPL without deformation or resonance. Research indicates that perforated metal panels act both as protective covers and acoustic elements. (ASA – Acoustical Society of America)
The installation referenced authoritative standards:
ASTM E90 – ASTM International for measurement of airborne sound transmission loss.
ISO 10140‑2 – ISO Standards for laboratory measurement of acoustical building‑components.
ASA – Acoustical Society of America guidelines for panel acoustic behaviour.
ASCE Library – American Society of Civil Engineers on vibration isolation in building mechanical systems.
IPA – Industrial Perforators Association handbook on perforated metal acoustic applications.
Following installation:
Control‑room background noise under ventilation load dropped from 37 dB(A) to 23 dB(A).
Measured isolation between studio and machine‑room improved by 9 dB, restoring targeted >40 dB margin.
Playback tests at 105 dB SPL revealed no grille‑induced distortion or panel vibration artifacts.
After 24 months of continuous use, no panel fastenings loosed and no acoustic deterioration observed.
The transformation re‑enabled legacy broadcast infrastructure to deliver modern‑grade acoustic performance without full rebuild.
Key success factors:
High‑mass stainless panels eliminated panel vibration under high SPL speaker usage.
Optimised perforation geometry balanced ventilation and isolation rather than treating grille as a generic component.
Back‑cavity and liner turned the panel into an acoustic barrier—one more link in the isolation chain rather than a weak point.
Installation addressed frame sealing, decoupling and airflow compatibility—critical in broadcast environments.
– Project 4273 – Tuned Grille Panels for Media Studios
– Project 4272 – Grille Panel Retrofit for Audio Labs
– Project 4271 – High‑Isolation Grille Panels for Broadcast Facilities